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A combination of horror, sci-fi, and dark fantasy elements makes the journey an outstanding and kind of underrated piece of literature, it makes one ask why there aren´t more underground cave or tunnel terror novels, except for Howey´sĪmazing Silo series that is much more successful, because it´s focused on the character development readers love and not mainly on walking through the wastelands. Take an underground ride to some of the weirdest alternative societies that grow like mushrooms as soon as the rest of humankind is left to rot in the darkness and cultivated behavior goes down the sewer and whatever creepy caves might lie beneath. What a strange and disturbing hero´s journey with interesting fractions, what a fresh look at a good old underground post apocalypse where one better shouldn´t miss the last subway train. and what nightmares come flowing down the dark tunnels of the Metro. what sort of humanity is it that Artyom wants to save?. Yet questions and doubts are raised constantly. His is a noble task and he is aided by heroic figures, heroes that could have stepped out of the ancient myths. This is, of course, an Odyssey and our brave Ulysses has to strive through his labours as he comes face-to-face with the demons that litter his nightmare world distorted and turned inside out by humanity. I never realised that you can read a book through your fingers as you wait for the horrors to leap out from the ruins and the dark. There is one brief sortie to the surface that becomes an adrenalyn-packed nightmare.

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The voyage is full of menace (though moments of almost calm menace and surreality are not uncommon). On his way to the centre he is aided, and hindered, by a motley crew of individuals who reflect the chaos that reigns below. fear, and always uncertainty.Īrtyom, our hero, is asked to deliver an important message that could affect the survival of humankind in the subways. Criminals and refugees, traders and mystics. You only have to read the Strugatsky Brothers' 'Roadside Picnic' (or watch the film version, 'Stalker'), Gansovsky's 'A Day of Wrath' or watch Lopushansky's amazing 'Letters From A Dead Man' to realise that they understand what it is to live on the edge of the abyss.Ĭlaustrophobic, dark cul-de-sacs of danger and terror, 'Metro 2033' is a world of uncertainties and fear, hung on the fringes between survival and death. The Russians have a skill in writing apocalyptic, nightmarish stories. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

But now a new and terrible threat has appeared.Īrtyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. It was one of the Metro's best stations and still remains secure. VDNKh is the northernmost inhabited station on its line. Feelings have given way to instinct - the most important of which is survival. It is a world without a tomorrow, with no room for dreams, plans, hopes. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. They live in the Moscow Metro - the biggest air-raid shelter ever built. Man's time is over.Ī few score thousand survivors live on, not knowing whether they are the only ones left on earth. Mutated by radiation, they are better adapted to the new world. Man has handed over stewardship of the earth to new life-forms. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. More than 20 years have passed since the last plane took off from the earth. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend.

Survivors still remember the past greatness of humankind. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. The half-destroyed cities have become uninhabitable through radiation.

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